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Manet to Gauguin (2024)
Artist Statement
Fa'atasi (2023)
Artist Statement
BERTHA (2023)
Artist Statement
Bertha's Story
Law Reform Girl (1986)
Dangerous Desire (1991)
Take me to Heaven (1992)
Queens of the Pacific (1994)
Madame Butterfly (1995)
Eaten Alive (1998)
Door Bitch (2001)
Fa’afafines at the Sydney Opera House (2009)
Three Marys (2010)
Berthaday (2016)
Over the Rainbow (2023)
Gallery & News
Smoke and Mirrors (2023)
Artist Statement
Aotea'ula (2021-26)
Artist Statement
Aotea’ula Wan
Aotea’ula Tu
Aotea’ula Tri
Aotea’ula Fo
Aotea’ula Faef
Aotea’ula Sikis
Aotea’ula Seven
Aotea’ula Eit
Aotea’ula Naen
Aotea’ula Ten
Aotea’ula Leven
Aotea’ula Twelef
Behind the scenes
Exhibition Stills
Going Native (2017/2022)
Press Release
Video Works
Production Stills
Exhibition Stills
A night to Remember (2022)
Artist Statement
Only Time Will Tell (2022)
Artist Statement
Kimono Phase 2 (2021)
Essay
Video
Gallery
Behind the scenes
Aichi Triennale (2022)
Kimono Phase 3 (2023)
Artist Statement
Gallery
Gwangju Biennale (2023)
Kimono Phase 4 (2023)
Artist Statement
Gallery
Kimono Phase 5 (2023)
Artist Statement
Gallery
Kimono Videos
Quarantine Islands (2021)
Artist statement
Kamau Taurua
Motuihe
Ōtamahua
Mokopuna
NBL
Video
Essay
Paradise Camp (2020)
Updated reviews & articles
He Tangi Mo Ha’apuani
Where are we?
Our rights
Fa’afafine Notes
Shevon Matai
Resilience and Identity
Reading Paul Gauguin
Fa’afafine claim
Beyond Men and Women
Selected Curatorial Projects
DeeZaStar (2025)
Talanoa Forum (2023)
Talanoa Forum (2022)
Project Banaba (2017-)
Project Banaba: Hawai’i (2024)
Books
Media
About
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Institution Partners
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Yuki Kihara
Home
Manet to Gauguin (2024)
Artist Statement
Fa'atasi (2023)
Artist Statement
BERTHA (2023)
Artist Statement
Bertha's Story
Law Reform Girl (1986)
Dangerous Desire (1991)
Take me to Heaven (1992)
Queens of the Pacific (1994)
Madame Butterfly (1995)
Eaten Alive (1998)
Door Bitch (2001)
Fa’afafines at the Sydney Opera House (2009)
Three Marys (2010)
Berthaday (2016)
Over the Rainbow (2023)
Gallery & News
Smoke and Mirrors (2023)
Artist Statement
Aotea'ula (2021-26)
Artist Statement
Aotea’ula Wan
Aotea’ula Tu
Aotea’ula Tri
Aotea’ula Fo
Aotea’ula Faef
Aotea’ula Sikis
Aotea’ula Seven
Aotea’ula Eit
Aotea’ula Naen
Aotea’ula Ten
Aotea’ula Leven
Aotea’ula Twelef
Behind the scenes
Exhibition Stills
Going Native (2017/2022)
Press Release
Video Works
Production Stills
Exhibition Stills
A night to Remember (2022)
Artist Statement
Only Time Will Tell (2022)
Artist Statement
Kimono Phase 2 (2021)
Essay
Video
Gallery
Behind the scenes
Aichi Triennale (2022)
Kimono Phase 3 (2023)
Artist Statement
Gallery
Gwangju Biennale (2023)
Kimono Phase 4 (2023)
Artist Statement
Gallery
Kimono Phase 5 (2023)
Artist Statement
Gallery
Kimono Videos
Quarantine Islands (2021)
Artist statement
Kamau Taurua
Motuihe
Ōtamahua
Mokopuna
NBL
Video
Essay
Paradise Camp (2020)
Updated reviews & articles
He Tangi Mo Ha’apuani
Where are we?
Our rights
Fa’afafine Notes
Shevon Matai
Resilience and Identity
Reading Paul Gauguin
Fa’afafine claim
Beyond Men and Women
Selected Curatorial Projects
DeeZaStar (2025)
Talanoa Forum (2023)
Talanoa Forum (2022)
Project Banaba (2017-)
Project Banaba: Hawai’i (2024)
Books
Media
About
Permanent Collections
Institution Partners
Video works for ‘Going Native’ (2017/2022) by Yuki Kihara