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Exhibitions & Projects
Moana Queer Taxonomy (2026)
Dresstories (2026)
Darwin Drag (2025)
Stories From the Weather (2025)
Chief’s Daughter (2025)
Manet to Gauguin (2024)
Conveyance of Time (2024)
Fa'atasi (2023)
BERTHA (2023)
Artist Statement
Bertha's Story
Law Reform Girl (1986)
Dangerous Desire (1991)
Take me to Heaven (1992)
Queens of the Pacific (1994)
Madame Butterfly (1995)
Eaten Alive (1998)
Door Bitch (2001)
Fa’afafines at the Sydney Opera House (2009)
Three Marys (2010)
Berthaday (2016)
Over the Rainbow (2023)
Gallery & News
Smoke and Mirrors (2023)
Aotea'ula (2021-26)
Artist Statement
Aotea’ula Wan
Aotea’ula Tu
Aotea’ula Tri
Aotea’ula Fo
Aotea’ula Faef
Aotea’ula Sikis
Aotea’ula Seven
Aotea’ula Eit
Aotea’ula Naen
Aotea’ula Ten
Aotea’ula Leven
Aotea’ula Twelef
Aotea’ula Tetin
Aotea’ula Fotin
Aotea’ula Fiftin
Aotea’ula Sikstin
Aotea’ula Seventin
Aotea’ula Eitin
Behind the scenes
Exhibition Stills
Going Native (2017/2022)
Press Release
Video Works
Production Stills
Exhibition Stills
A night to Remember (2022)
Only Time Will Tell (2022)
Kimono Phase 2 (2021)
Essay
Video
Gallery
Behind the scenes
Aichi Triennale (2022)
CHAT (2024)
Kimono Phase 3 (2023)
Artist Statement
Gallery
Gwangju Biennale (2023)
Kimono Phase 4 (2023)
Artist Statement
Gallery
Kimono Phase 5 (2023)
Artist Statement
Gallery
Kimono Videos
Quarantine Islands (2021)
Artist statement
Kamau Taurua
Motuihe
Ōtamahua
Mokopuna
NBL
Video
Essay
Paradise Camp (2020-)
Official Website
Reviews & articles
He Tangi Mo Ha’apuani
Where are we?
Our rights
Fa’afafine Notes
Shevon Matai
Resilience and Identity
Reading Paul Gauguin
Fa’afafine claim
Beyond Men and Women
First Impressions: Paul Gauguin (2018)
Selected Curatorial Projects
Talanoa Forum (2023)
Talanoa Forum (2022)
Project Banaba (2017-)
Project Banaba: Hawai’i (2024)
Books
Media
About
Permanent Collections
Institution Partners
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Yuki Kihara
Home
Exhibitions & Projects
Moana Queer Taxonomy (2026)
Dresstories (2026)
Darwin Drag (2025)
Stories From the Weather (2025)
Chief’s Daughter (2025)
Manet to Gauguin (2024)
Conveyance of Time (2024)
Fa'atasi (2023)
BERTHA (2023)
Artist Statement
Bertha's Story
Law Reform Girl (1986)
Dangerous Desire (1991)
Take me to Heaven (1992)
Queens of the Pacific (1994)
Madame Butterfly (1995)
Eaten Alive (1998)
Door Bitch (2001)
Fa’afafines at the Sydney Opera House (2009)
Three Marys (2010)
Berthaday (2016)
Over the Rainbow (2023)
Gallery & News
Smoke and Mirrors (2023)
Aotea'ula (2021-26)
Artist Statement
Aotea’ula Wan
Aotea’ula Tu
Aotea’ula Tri
Aotea’ula Fo
Aotea’ula Faef
Aotea’ula Sikis
Aotea’ula Seven
Aotea’ula Eit
Aotea’ula Naen
Aotea’ula Ten
Aotea’ula Leven
Aotea’ula Twelef
Aotea’ula Tetin
Aotea’ula Fotin
Aotea’ula Fiftin
Aotea’ula Sikstin
Aotea’ula Seventin
Aotea’ula Eitin
Behind the scenes
Exhibition Stills
Going Native (2017/2022)
Press Release
Video Works
Production Stills
Exhibition Stills
A night to Remember (2022)
Only Time Will Tell (2022)
Kimono Phase 2 (2021)
Essay
Video
Gallery
Behind the scenes
Aichi Triennale (2022)
CHAT (2024)
Kimono Phase 3 (2023)
Artist Statement
Gallery
Gwangju Biennale (2023)
Kimono Phase 4 (2023)
Artist Statement
Gallery
Kimono Phase 5 (2023)
Artist Statement
Gallery
Kimono Videos
Quarantine Islands (2021)
Artist statement
Kamau Taurua
Motuihe
Ōtamahua
Mokopuna
NBL
Video
Essay
Paradise Camp (2020-)
Official Website
Reviews & articles
He Tangi Mo Ha’apuani
Where are we?
Our rights
Fa’afafine Notes
Shevon Matai
Resilience and Identity
Reading Paul Gauguin
Fa’afafine claim
Beyond Men and Women
First Impressions: Paul Gauguin (2018)
Selected Curatorial Projects
Talanoa Forum (2023)
Talanoa Forum (2022)
Project Banaba (2017-)
Project Banaba: Hawai’i (2024)
Books
Media
About
Permanent Collections
Institution Partners
Aotea'ula Eitin (Kahukōwhai / Vanessa Itea),
2025
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