• Home
  • Exhibitions & Projects
  • Stories From the Weather (2025)
  • Chief’s Daughter (2025)
  • Conveyance of Time (2024)
  • Manet to Gauguin (2024)
    • Artist Statement
  • Fa'atasi (2023)
    • Artist Statement
  • BERTHA (2023)
    • Artist Statement
    • Bertha's Story
    • Law Reform Girl (1986)
    • Dangerous Desire (1991)
    • Take me to Heaven (1992)
    • Queens of the Pacific (1994)
    • Madame Butterfly (1995)
    • Eaten Alive (1998)
    • Door Bitch (2001)
    • Fa’afafines at the Sydney Opera House (2009)
    • Three Marys (2010)
    • Berthaday (2016)
    • Over the Rainbow (2023)
    • Gallery & News
  • Smoke and Mirrors (2023)
    • Artist Statement
  • Aotea'ula (2021-26)
    • Artist Statement
    • Aotea’ula Wan
    • Aotea’ula Tu
    • Aotea’ula Tri
    • Aotea’ula Fo
    • Aotea’ula Faef
    • Aotea’ula Sikis
    • Aotea’ula Seven
    • Aotea’ula Eit
    • Aotea’ula Naen
    • Aotea’ula Ten
    • Aotea’ula Leven
    • Aotea’ula Twelef
    • Aotea’ula Tetin
    • Aotea’ula Fotin
    • Behind the scenes
    • Exhibition Stills
  • Going Native (2017/2022)
    • Press Release
    • Video Works
    • Production Stills
    • Exhibition Stills
  • A night to Remember (2022)
    • Artist Statement
  • Only Time Will Tell (2022)
    • Artist Statement
  • Kimono Phase 2 (2021)
    • Essay
    • Video
    • Gallery
    • Behind the scenes
    • Aichi Triennale (2022)
    • CHAT (2024)
  • Kimono Phase 3 (2023)
    • Artist Statement
    • Gallery
    • Gwangju Biennale (2023)
  • Kimono Phase 4 (2023)
    • Artist Statement
    • Gallery
  • Kimono Phase 5 (2023)
    • Artist Statement
    • Gallery
  • Kimono Videos
  • Quarantine Islands (2021)
    • Artist statement
    • Kamau Taurua
    • Motuihe
    • Ōtamahua
    • Mokopuna
    • NBL
    • Video
    • Essay
  • Paradise Camp (2020-)
    • Official Website
    • Reviews & articles
    • He Tangi Mo Ha’apuani
    • Where are we?
    • Our rights
    • Fa’afafine Notes
    • Shevon Matai
    • Resilience and Identity
    • Reading Paul Gauguin
    • Fa’afafine claim
    • Beyond Men and Women
  • First Impressions: Paul Gauguin (2018)
  • Selected Curatorial Projects
    • Talanoa Forum (2023)
    • Talanoa Forum (2022)
    • Project Banaba (2017-)
    • Project Banaba: Hawai’i (2024)
  • Books
  • Media
  • About
  • Permanent Collections
  • Institution Partners
  • Menu

Yuki Kihara

  • Home
  • Exhibitions & Projects
  • Stories From the Weather (2025)
  • Chief’s Daughter (2025)
  • Conveyance of Time (2024)
  • Manet to Gauguin (2024)
    • Artist Statement
  • Fa'atasi (2023)
    • Artist Statement
  • BERTHA (2023)
    • Artist Statement
    • Bertha's Story
    • Law Reform Girl (1986)
    • Dangerous Desire (1991)
    • Take me to Heaven (1992)
    • Queens of the Pacific (1994)
    • Madame Butterfly (1995)
    • Eaten Alive (1998)
    • Door Bitch (2001)
    • Fa’afafines at the Sydney Opera House (2009)
    • Three Marys (2010)
    • Berthaday (2016)
    • Over the Rainbow (2023)
    • Gallery & News
  • Smoke and Mirrors (2023)
    • Artist Statement
  • Aotea'ula (2021-26)
    • Artist Statement
    • Aotea’ula Wan
    • Aotea’ula Tu
    • Aotea’ula Tri
    • Aotea’ula Fo
    • Aotea’ula Faef
    • Aotea’ula Sikis
    • Aotea’ula Seven
    • Aotea’ula Eit
    • Aotea’ula Naen
    • Aotea’ula Ten
    • Aotea’ula Leven
    • Aotea’ula Twelef
    • Aotea’ula Tetin
    • Aotea’ula Fotin
    • Behind the scenes
    • Exhibition Stills
  • Going Native (2017/2022)
    • Press Release
    • Video Works
    • Production Stills
    • Exhibition Stills
  • A night to Remember (2022)
    • Artist Statement
  • Only Time Will Tell (2022)
    • Artist Statement
  • Kimono Phase 2 (2021)
    • Essay
    • Video
    • Gallery
    • Behind the scenes
    • Aichi Triennale (2022)
    • CHAT (2024)
  • Kimono Phase 3 (2023)
    • Artist Statement
    • Gallery
    • Gwangju Biennale (2023)
  • Kimono Phase 4 (2023)
    • Artist Statement
    • Gallery
  • Kimono Phase 5 (2023)
    • Artist Statement
    • Gallery
  • Kimono Videos
  • Quarantine Islands (2021)
    • Artist statement
    • Kamau Taurua
    • Motuihe
    • Ōtamahua
    • Mokopuna
    • NBL
    • Video
    • Essay
  • Paradise Camp (2020-)
    • Official Website
    • Reviews & articles
    • He Tangi Mo Ha’apuani
    • Where are we?
    • Our rights
    • Fa’afafine Notes
    • Shevon Matai
    • Resilience and Identity
    • Reading Paul Gauguin
    • Fa’afafine claim
    • Beyond Men and Women
  • First Impressions: Paul Gauguin (2018)
  • Selected Curatorial Projects
    • Talanoa Forum (2023)
    • Talanoa Forum (2022)
    • Project Banaba (2017-)
    • Project Banaba: Hawai’i (2024)
  • Books
  • Media
  • About
  • Permanent Collections
  • Institution Partners

Video


More links

https://www.sparkkle.space/interviews/yuki-kihara

https://unframed.lacma.org/2014/03/26/shigeyuki-kiharas-siva-in-motion

https://blog.qagoma.qld.gov.au/highlight-shigeyuki-kihara/

https://independent.academia.edu/YukiKihara